Composition de Francis Poulenc
Adapté de la pièce de Jean Cocteau
February 12th – 20th, 2016
(No performance February 14th, 2016)
Directed by Brian Dooley
Presented in French with English Surtitles
Poulenc’s La voix humaine is a telephonic chamber opera, a monologue with more emotional power than many larger-scale plays. In 1950’s Paris, we eavesdrop as a stylish and sophisticated woman makes a final phone call to the man who kept her as a mistress. Her new found dilemma is that he has decided to move on, leaving her alone, distraught and suicidal. Dignity turns to despair as we discover that she has already tried to kill herself. She laments: “If you did not love me and were not so awkward, this telephone could easily become a terrible weapon. A weapon that would leave no marks, nor make a noise…”.
For this production, 5% GST will apply to all ticket orders.
February 10 & 11 – Previews
Adults $15 / Students & Seniors $15
February 12 – Opening Night with Reception
Adults $30 / Seniors $25 / Students $20
February 13, 15, 16, 17, 18, 19, & 20
Adults $25 / Seniors $20 / Students $15
Advance tickets are available through the L’UniTheatre Box Office
La voix humaine (English: The Human Voice) is a forty-minute, one-act opera for soprano and orchestra composed by Francis Poulenc in 1958. The work is based on the play of the same name by Jean Cocteau, who, along with French soprano Denise Duval, worked closely with Poulenc in preparation for the opera’s premiere. The libretto consists of a woman’s last phone conversation with her lover, who now loves someone else. During the call, the woman reveals that she has attempted suicide because her lover has abandoned her.
The curtain opens to reveal a bedroom where a woman (Elle) lies unmoving on the ground.[n 4] She changes position once before finally rising. Although she makes to leave the room, the phone rings and she returns to answer it. The woman receives two wrong numbers before her ex-lover is able to get through to her. She lies to him, saying that she went out with her friend Marthe the previous night, and that she took one pill to help her fall asleep when she returned. The couple discuss their past relationship, and Elle blames herself for their problems, claiming, “Tout est ma faute.” Throughout their conversation, they experience numerous telephone problems, and their connection finally cuts out completely. When Elle calls her lover’s home phone, she discovers that he is not there and assumes that he is at a restaurant. He calls her back, and Elle reveals that she has lied during their conversation; instead of going out with Marthe the previous night, she took twelve sleeping pills in an attempted suicide. She then called Marthe, who arrived with a doctor to save her. Elle suddenly hears music in the background, and she grows suspicious that her lover is at the home of his new girlfriend. She expresses her suspicions to him several times until the end of the opera, but he never admits to his true location. Elle also reveals her obsession with the telephone, explaining that she has slept with it in her bed for the past two nights. Their connection fails once again, and Elle panics. Her lover calls her back once more, and she informs him that she now has the telephone cord wrapped around her neck. Telling him she loves him over and over, she sinks into her bed and drops the receiver, possibly strangling herself with its cord in the process.